Sunday, January 17, 2010

Aamir: I do what makes me happy

Again, a very long post from me, and that too again on Aamir Khan. I try to keep the posts at this blog very terse, but some of the few posts were so good I could not make them more concise!

Hope u will like these, these posts contain thoughts that touch my soul. I share these to probably touch your soul.

-Gaurav.




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It is to the mind that Aamir Khan ascribes this achievement.

“When you want something with intensity, the mind kicks in and makes it possible,” says the actor. “We don’t realise what a powerful tool the human mind is. I cannot explain how I managed the Ghajini body in just a year’s time. Or the 20-year-old look for 3 Idiots either. Of course, I applied myself to it, did workouts, and ate right. But many people do that, so this was something beyond. I believe that all my mental energies focused on this one desire, multiplying my efforts manifold. And the impossible was achieved!”

Years of intense performances, one super hit after another— what influences the choices of this, one of the greatest actors of our times? Aamir thinks in silence for a moment before he fixes me again with that intense tawny-chocolate gaze. “I do what makes me happy,” he declares conclusively. All my decisions are dictated by that, be it films or my personal life. I may make mistakes but at least the mistakes are all mine. I have never allowed myself to be pressurised by anyone. Even as a child, I was strong enough to resist the fears of people who loved me and go for what made me happy.

“When my mother resisted my decision to start working as an assistant in Bollywood at age 16, I told her I wasn’t stopping my education, I was just beginning it. I was always very clear about what I wanted.”

Dignity, self-respect and a constant sensitivity to others undermine Aamir’s quest for happiness. Especially sensitivity. Aamir smiles with a fond, faraway look in his eyes. “I was Maharashtra No 1 in sub-juniors Tennis. Whenever I would emerge after a game, Ammi would be waiting outside to ask, ‘Jeete ya hare?’ I would invariably have won. She would smile, then get a pensive look and say, ‘Jo haara, uski ammi ko kitna kharaab laga hoga...’ Then she would start worrying about the mother of the guy who lost to me. I guess this taught me to be sensitive to all around.” Aamir is happy, lost in memories. I give him a moment.

This last decade has seen Aamir cross many milestones. The launch of his production house, his first directorial and production ventures, awards for acting, directing and movies, nomination for Oscars and some of his greatest successes, all happened this decade. What has the journey been like?

“As an actor, the last 10 years I have opened up much more, “ says Aamir, breaking out of one reverie into another. “I am eager and more excited to experiment. And, more layered in my performances.” A pause during which he stares out of the window. I am getting used to these little silences and resist filling them up. Gazing back at me.

Aamir says, “Over the last 20 years I have grown to look more and more inwards. As an actor you are taught acting is emoting externally. If you are happy, you smile; if sad, you cry. In real life we are far more complicated than that. Not everyone necessarily smiles when happy or cries when sad. So today, I no longer focus on showing the joy; my effort is to feel it, to feel what the character I am playing would feel. What comes out of me is very complex and layered.”

On the personal front, the decade saw his separation and divorce with wife Reena, mother of his two kids, and remarriage with Kiran Rao. Aamir took four years off from work during which he dealt with regaining his emotional health by being with himself, his children, and even seeking professional help. “I gave a lot of value to my marriage and felt very emotionally damaged when it broke. I was in no state to work in those years. This was also the time I realised however dedicated I may be to work, at the core I need emotional anchoring; being rooted in family is very important to me.”

And that is what he feels he has lost out on in all the intense focusing on work and the various avatars he has had to evolve and metamorphose into. Too little time for family. “I am constantly trying to balance that,” he says. “That’s why I do one film at a time.” True to his word, now right after 3 Idiots, Aamir plans an eight-month break from films soon as the marketing blitzkrieg is over.

If you think Aamir knows outright that he has a winner movie on hand, that’s not true. He confirms. “I make the most impractical decisions. And commercial success is the last thing on my mind when I’m working on a film. My mind doesn’t go in that direction; I just focus on enjoying the process and the work. If I thought of success, I would never have taken up any of my films — Lagaan, Dil Chahta Hai, TZP, Rang de Basanti, Mangal Pandey or 3 Idiots!”

The years have seen Aamir ease up and chill. He admits to having consciously worked on all troubled relationships in his life, including with media. “I learnt a lot as a result of Taare Zameen Par; that movie changed me and I became even more sensitive to people and their realities. A psychiatrist I met during research for TZP told me all children need Security, Trust & Faith, Dignity & Self-respect, and Love. I realised I need the same things and so does everybody around. I decided to apply this learning to all relationships and this is what helped me understand and interact better with media as well.”

Time has flown as we talk and I have stayed much beyond what I intended. Aamir doesn’t mind and smiles as he walks me to the door. Barefoot in jeans and shirt, he still retains the ‘Rancho’ look. I wonder what he will become for the next film. For, in this actor’s case, he doesn’t walk into or don a role with the help of make-up and acting; he actually becomes it!

Thursday, January 14, 2010

कामयाबी नहीं क़ाबिलियत अहम: आमिर ख़ान

आमिर ने कहा, ''हमें वो काम करना चाहिए जिसे करने में हमें मज़ा आता है और खुशी मिलती है और जो बिना किसी समझौते के किया जाता है. सफलता के पीछे कभी नहीं भागना चाहिए.''

Saturday, January 2, 2010

The process of creation

We worked for three months in Mumbai. Then Raju stayed with me in the US for 35-40 days. We had a rule. Raju and I would go out on a walk and not come back until we had a scene. The rule was that the scene should make us laugh or cry or should contain some really provocative thought. If it was not doing one of these things, the scene could not be part of the film.




Once while walking at Bandra (a Mumbai suburb), it starting raining heavily. But because of our rule -- that we cannot return untill we had a scene -- we just kept walking and did not return till we had the scene.


-Abhijat Joshi, co-writer of Lage Raho Munna Bhai and 3 Idiots, on how they wrote these movies. Its great to learn their paramaters, and the process!